Can you post a screenshot of what it says on the Safety Options dialog box when you restart Studio One after a crash?Has anyone had any success with Scaler 3? I can run it standalone but as soon as I drag it into S1 it crashes (even with a blank project).
Can you post a screenshot of what it says on the Safety Options dialog box when you restart Studio One after a crash?
Also, did you create the diagnostics report to include in a ticket to PreSonus Support?
That should help determine what's causing the crash.
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Use these steps...I am unable to create a support ticket. It takes me to Zendesk and then to Microsoft where if I sign in with my Microsoft credentials, I get a message saying Fender doesn't recognize me.
This sounds like how I would use Scaler. Of course everyone will find their happy place, and thats all good.I mainly use Scaler to work out rough progressions/sequences, then drag them to an instrument track and go from there. I really appreciate the ease and speed of getting through the initial steps.
I keep intending to go a bit deeper, but I haven't done it yet.
Use these steps...
1. Login to your My.PreSonus account.
2. Click on "Support",
3. Click the + to "Create A Ticket".
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Thanks for that. Makes sense, and how I'd approach Scaler 3.I don't really use the arranger page because it's much easier to do that stuff in S1. Where Scaler 3 really excels is in making sense of my random keyboard noodlings. I can feed it a melody and it will offer up some scales that match (and thus some chords) or I can feed it an interesting chord sequence I have come up with on the keyboard and it will do the same. Once you have a scale you can drag a load of related chords, and extended versions of them, into the bottom section (section C) then bind them to the white notes on the keyboard. So you can very quickly go from a bit of noodling on the keyboard to a bunch of one finger chords that let you experiment further.
Noodles that turn into useful or uncharted landscapes is really what its all about. Sounds like Scaler is developing, whenever anyone wants to step off its carousel. Thanks for your take on it, Davey.After that I tend to just drag the MIDI into S1 and archive the Scaler track but you can continue in Scaler if you prefer. They are going to add "scenes" soon which I think will be a bit like the S1 arranger track so you can make a whole song in Scaler (intro, verse, chorus etc). Maybe that will tempt me to stay in Scaler 3 for longer.
Its a brilliant tool and the update to three brings some powerful tools Highly recommendedAargh, still torn. I once loaded the demo for Scaler 2 and when I saw the target size of the installation (several hundred megabytes? I can’t remember) I cancelled the setup and never tried it. Usually I prefer slim tools.
Hi, thanks for stopping by and your opinion on Scaler 3, I really appreciate it! However, over the past few months my spare time interests have drifted somewhat away from making music, so all purchases for that hobby are currently on hold. But when I get back into it, I'll definitely take another look.Its a brilliant tool and the update to three brings some powerful tools Highly recommended
I get that impression looking at Scaler 3. Not that that is a deciding factor to go by, but just a gut feel. Some users here seam to make Scaler 3 work for them.Scaler 3 was a total disappointment for me. These guys, however smart at music theory are so weak at UX design that I gave up on trying to get anything useful out of it.
Absolutely. I use Stepic, and sometimes I think, it must be that I like Stepic's UI due to a seriously misspent youth.Scaler 3 is doing just fine over here. Funny how we all see things differently...
VP
Me too. Scaler 2 was much faster to use than the nightmare UI that 3 has. They really took a misstep by trying to become some sort of a light DAW instead of going deeper and making it easier to experiment the progressions, chord types, inversions etc. All of that actually has become even more difficult.Scaler 3 was a total disappointment for me. These guys, however smart at music theory are so weak at UX design that I gave up on trying to get anything useful out of it.
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