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I am going for it!

k2347

Member
Over 10 years with my UAD Apollo Twin usb this thing is to enticing!I own vintage hardware that I can now use with this new gizmo.I also despise my UAD console software and always have.
 
Over 10 years with my UAD Apollo Twin usb this thing is to enticing!I own vintage hardware that I can now use with this new gizmo.I also despise my UAD console software and always have.
That is very nice looking. Keep everyone informed how it does 🤙🖖
 
I agree, very nice looking and having hardware to adjust is just so much more appealing.

I don't know what the sound quality of the preamps, headphone amplification etc is, but if it were as good as my Neumann MT48 I'd be interested in it for sure.
 
Nice to see Harrison is utilizing its preamp, be switchable, and provide a little I/O flexability (ADAT for exapndability). If you're Apollo Duo isnt really working for you, then fine. You might not have that same internal plugin integration that the UAD Apollo Duo has. For example, the zero latency via its own UAD plugins.

Still, the Harrison looks like a great step forward for what it is. I'd be curious about its actual preamps, quality of headphone amplifiers, converters, etc. I'm not looking for one, but I often dabble in what's going on in the industry.
Bottom line, enjoy it! I'm glad Harrison is still in the bizz. 👍
 
Tracking sez it will show up in 3 days.Once it arrives I will hook up my Mackie Onyx 800R 8 channel mic pre via adat and my DBX 160 comp via the inserts and also try to punish the stock Harrison mic pres.I expect great results but if not back in the box it goes and will be returned.My Sweetwater sales guy called me yesterday morning and told me how impressed he was with the Harrison and how they had to keep a tight lip until it was announced which was earlier this week.I never get excited about buying a new interface but this time my expectations are very high.Stay tuned..........,
 
Nice! Please report back after you've had a chance to use it.
 
Not to be overly negative but now that I've seen its price, I'm very skeptical about its preamps, quality of headphone amplifiers, converters, etc.

If they made a high end version of this, I'd be VERY interested.
 
There's something about the families of large studio consoles and what they bring to the mix (did I say that?).
 
Not to be overly negative but now that I've seen its price, I'm very skeptical about its preamps, quality of headphone amplifiers, converters, etc.

If they made a high end version of this, I'd be VERY interested.
When this thing shows up in a few days I am going to test it brutally!I know 600 clams is kinda cheap but one of my favorite 8 ch mic pres is my old as dirt Behringer Ultragain Pro-8.I think new 20+ yrs ago was $185.I would never sell that cheap pos.:giggle:

Actually they still sell them and still dirt cheap.
 
Not to be overly negative but now that I've seen its price, I'm very skeptical about its preamps, quality of headphone amplifiers, converters, etc.

If they made a high end version of this, I'd be VERY interested.
It's not cheap in Australia. Quite close in price to many high end interfaces.
 
Not to be overly negative but now that I've seen its price, I'm very skeptical about its preamps, quality of headphone amplifiers, converters, etc.

If they made a high end version of this, I'd be VERY interested.
You raise a good point. In the context of you get what you pay for. Of course some products fall into getting what one may not need. But keeping things in perspective, quality of preamp, routing, headphone amps, amp type i.e. A, B, AB, etc, converters, in/outs, and such. Quality will largely cost more. Then one has to weigh and choose relevant needs. YT bloggers such as Julian Kraus provide the best audio interface comparisons, because his testing has a consistent criteria and is indeed thorough. One can then make their own decision far better than what is simply new, or hyped as what 'might' be deemed superior. In the end, the better stuff usually shines with the overall industry approval. Only, it takes some digging to know what that is. Not all manufacturers come up with the best designs (whatever that might be), but instead meet limited budgets, or allowances. So compromises are abound.

That is with any industry. Remember when Infinity made excellent yet cost effective hi-fi audiophile speakers? Only at some point, they scaled down to mundane department store speakers. Remember Famous Amos Cookies? Only to end up with basic ingredient bland bleach flour chocolate. Chip cookies.
Remember SSL (still building high end consoles), but make a very compromised so so audio interfaces. The list goes on. Like anything, some do it better than others.

When Julian tests this and grades the Flex-10's performance, we'll have a good idea. But if the buyer is happy with the product, and uses it with satisfied succes, that is important.
 
You've got to love these Sweetwater links :giggle:
Start of forum page:
One Sweetwater product link
Plus One Amazon product link
Results:
Go to next page. 😆
 
Not to be overly negative but now that I've seen its price, I'm very skeptical about its preamps, quality of headphone amplifiers, converters, etc.

FWIW headphone amps in most interfaces are more of a problem than I thought. I only realized that after buying a separate, dedicated headphone amp and realizing how much it made the sound of various headphones "open up."
 
FWIW headphone amps in most interfaces are more of a problem than I thought. I only realized that after buying a separate, dedicated headphone amp and realizing how much it made the sound of various headphones "open up."
True, but that very much depends on the headphones (specs) too. Buy a pair of of those overly praised very low or very high impedance phones to find out that you also have to buy a matching headphone amp to get decent sound from them. One more reason why I love my trusty 7506's: They are happy with any headphone output and most of the time even with a pair of line outputs :D
 
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True, but that very much depends on the headphones (specs) too. Buy a pair of of those overly praised very low or very high impedance phones to find out that you also have to buy a matching headphone amp to get decent sound from them. One more reason why I love my trusty 7506's: They are happy with any headphone output and most of the time even with a pair of line outputs :D
They're also trusty for the earcaps disintegrating if god forbid subjected to one or two drops of sweat and their cables coiling up into unmanageable messes. But the virtues you cite are also true.
 
The trick is to not worry about the disintegration. Just let it, and a few meters of scotch tape does the rest :LOL: But I give you the cable, straight would have been better.
 
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