- Genre
- Experimental
- Instruments
- A bunch of em
- Effects
- Eventide H3000 D/SE, Quantec Yardstick, Chase Bliss CXM1978, DeltaLab Acousticomputer, and a whole bunch of Yamaha SPX90 / SPX2000. As for compression, just gobs of sticky Summit Audio tubes, weird old Ashly boxes, and 70/80s dbx vca compression.
- Special techniques
- Every master was done in parallel to create a droning uneasy sub-feeling throughout. The mix would be completed with minimal bass emphasis, mostly rolled off around 80hz and bounced down. That bounced mix would then be compressed very heavily through a BSS DPR-402 and run through a Peavey Kosmos Pro and an Eventide H3000 D/SE, rolled off at 250, and compressed again through an Aphex Dominator and bounced. That would be added to the original track to taste for the weird low end feel.
- Released when
- August 7th on Temporal Drift records
Hi. I mixed this record last year in Studio One 7. Comprised of Patrick Shiroishi (The Armed, Upsilon Acrux) and Randall Taylor (Amulets, Bus Gas), this was one of my most favorite records I've ever been involved in. The album was recorded in both Los Angeles and Portland, mixed in Nebraska, and released on the incredible Temporal Drift records. It's at times a challenging listen, but the reviews have been good and I hope you enjoy it.
Click here to listen:
