Surf.Whammy
New member
For those folks who do not know who the fellow who writes about himself in third-person and goes by the moniker "Surf.Whammy" happens to be, he participated daily in the Notion Music Forum beginning in 2010 and then a few years later in the Notion section of the PreSonus Music Forum, where he devoted hours each day to explaining various strategies and describing hypotheses focused on using Studio One and music notation and developing a theory for creating hit songs, much of which curiously was focused on enhancing his touch-typing and English prose skills.
Over the past year, Surf.Whammy has had an epiphany regarding the existence of something he calls "Quantum Sonic Entanglement (QSE)", where sets of tiny snippets of sonic waves--called "phonons" in particle physics--are used by composers, arrangers, and producers to entangle sounds with the unconscious minds of listeners to create the musical phenomena called "hit songs", where one of Surf.Whammy's favorite examples is the stellar hit song "Billie Jean" (Michael Jackson), which features over 150 of what Surf.Whammy calls "QSE Sparkles", each of which has "Quantum Sonic Spin", and are primarily rapid in-and-out sounds that become entangled with the listener's mind--these specific QSE Sparkles including a virtual festival of hiccups, which Surf.Whamny suggests Michael Jackson discovered when studying the early hit songs of Elvis Presley, who had a nervous tic that caused him to hiccup at various times, something which Elvis soon realized made teenage girls go wild.
If you study "Billie Jean" while listening with studio-quality headphones, then you can hear and count all the QSE Sparkles--both instrumental and vocal--which Surf.Whammy suggests are done by design with conscious intent and are not random occurrences done for no logical reasons, which ipso facto is the case because it takes time and resources to record and mix them.
These and other hypotheses and theories are described and explained in Surf.Whammy's series of books, "The Art of Digital Music Production", which currently spans nine Volumes, with Volume 10 in development. These are available as Kindle Books at Amazon.
Everything is based on verified General Relativity, Quantum Mechanics, and Psychology, but there are times when Surf.Whammy has a bit of FUN with science fiction to explain concepts and principles which, while being based on strong science, are not so easily proved experimentally.
For reference, Surf.Whammy also focuses on developing and producing old-time, science-fiction radio plays in the series he calls "Extreme Gravity", which have elaborate music done using Studio One and its brilliant music notation, with a bit of help from various VSTi virtual instruments, sampled-sound libraries, and VST effects plug-ins, including the Reason Rack VST.
Over the past year, Surf.Whammy has had an epiphany regarding the existence of something he calls "Quantum Sonic Entanglement (QSE)", where sets of tiny snippets of sonic waves--called "phonons" in particle physics--are used by composers, arrangers, and producers to entangle sounds with the unconscious minds of listeners to create the musical phenomena called "hit songs", where one of Surf.Whammy's favorite examples is the stellar hit song "Billie Jean" (Michael Jackson), which features over 150 of what Surf.Whammy calls "QSE Sparkles", each of which has "Quantum Sonic Spin", and are primarily rapid in-and-out sounds that become entangled with the listener's mind--these specific QSE Sparkles including a virtual festival of hiccups, which Surf.Whamny suggests Michael Jackson discovered when studying the early hit songs of Elvis Presley, who had a nervous tic that caused him to hiccup at various times, something which Elvis soon realized made teenage girls go wild.
If you study "Billie Jean" while listening with studio-quality headphones, then you can hear and count all the QSE Sparkles--both instrumental and vocal--which Surf.Whammy suggests are done by design with conscious intent and are not random occurrences done for no logical reasons, which ipso facto is the case because it takes time and resources to record and mix them.
These and other hypotheses and theories are described and explained in Surf.Whammy's series of books, "The Art of Digital Music Production", which currently spans nine Volumes, with Volume 10 in development. These are available as Kindle Books at Amazon.
Everything is based on verified General Relativity, Quantum Mechanics, and Psychology, but there are times when Surf.Whammy has a bit of FUN with science fiction to explain concepts and principles which, while being based on strong science, are not so easily proved experimentally.
For reference, Surf.Whammy also focuses on developing and producing old-time, science-fiction radio plays in the series he calls "Extreme Gravity", which have elaborate music done using Studio One and its brilliant music notation, with a bit of help from various VSTi virtual instruments, sampled-sound libraries, and VST effects plug-ins, including the Reason Rack VST.
